Futurity Matrix: Four Visions of the Future

In writing a contemporary critique of Sadie Plant and Nick Land’s text ‘Cyberpositive’, Frédéric Neyrat’s recent article for Blue Labyrinths Continue reading →

The Deception of the Genuine Self: Perfect Days and the Troubles of Cultural Capitalism

The Illusion of Inner Peace: Perfect Days‘ Pathological Abstraction and Stasis The narrative of Perfect Days is seemingly very simple Continue reading →

Decadeology: Hyperpop, Archive Fever, and the Sound of the 2020s

“The future of music may not lie entirely in music itself, but rather in the way it encourages and extends, Continue reading →

The Future of Strangers: On “Cyberpositive” by Nick Land and Sadie Plant

The final sentence of Nick Land and Sadie Plant’s text titled Cyberpositive (1994)—written one year before the CCRU (Cybernetic Culture Research Continue reading →

Welcome Ithaca, Farewell Greece: On Christopher Nolan’s Odysseus

1. A camera, a sigh, a disappearing poetry “Why can one not straightaway keep hold of whatever he sees and Continue reading →

Solarpunk Music: Notes on Anti-Hauntology and Eco-Futurism

In the introduction to The Future is Not Lost: On Music, Technology, and the Creation of New Worlds (2026) published Continue reading →

The Future is Not Lost: On Music, Technology, and the Creation of New Worlds by Matt Bluemink

It’s finally here! The official release date for my new book The Future is Not Lost is 24th of June Continue reading →

“The Question Concerning Technology Is Political”: Lou Manuel Arsenault on Aztec Cosmotechnic

Following the publication of his acclaimed book Of Enemies and Venison: First Materials for an Aztec Cosmotechnic, Matt and Alessandro Continue reading →