Technology as Politics by Other Means: Gil Durán’s ‘The Nerd Reich’ and the Genealogy of Tech-Fascism

The Nerds Take Washington About two days before Trump’s second inauguration, VP-elect JD Vance attended a party at Peter Thiel’s Continue reading →

The Society of the Screen: Collective and Personal Media

The following article is an edited transcript of a talk organized by Studio Image at the Free University of Bozen-Bolzano. Continue reading →

Futurity Matrix: Four Visions of the Future

In writing a contemporary critique of Sadie Plant and Nick Land’s text ‘Cyberpositive’, Frédéric Neyrat’s recent article for Blue Labyrinths Continue reading →

The Deception of the Genuine Self: Perfect Days and the Troubles of Cultural Capitalism

The Illusion of Inner Peace: Perfect Days‘ Pathological Abstraction and Stasis The narrative of Perfect Days is seemingly very simple Continue reading →

Decadeology: Hyperpop, Archive Fever, and the Sound of the 2020s

“The future of music may not lie entirely in music itself, but rather in the way it encourages and extends, Continue reading →

The Future of Strangers: On “Cyberpositive” by Nick Land and Sadie Plant

The final sentence of Nick Land and Sadie Plant’s text titled Cyberpositive (1994)—written one year before the CCRU (Cybernetic Culture Research Continue reading →

Welcome Ithaca, Farewell Greece: On Christopher Nolan’s Odysseus

1. A camera, a sigh, a disappearing poetry “Why can one not straightaway keep hold of whatever he sees and Continue reading →

Solarpunk Music: Notes on Anti-Hauntology and Eco-Futurism

In the introduction to The Future is Not Lost: On Music, Technology, and the Creation of New Worlds (2026) published Continue reading →