How the Wilderness Calls: A Critique of Red Dead Redemption 2

Life persists in wildness. Technique turned the world into a wildlife park, domesticating all within its borders. Yet it didn’t Continue reading →

Becoming-insect through Clarice Lispector’s “The passion according to G.H.”

If I confirm my self and consider myself truthful, I’ll be lost because I won’t know where to inlay my Continue reading →

A Future on Fire: Climate Change and Hauntology

The spectre of climate crisis stalks our present, finding ways to mash and mangle our now into one that is Continue reading →

Mad(e) Men: Historicism and History as Told Through Period Drama and TV

In the medium of the movies (what used to be short for moving pictures) there is something called an establishing Continue reading →

Transcendental Cinema: When the Camera Turns Upon Itself

This essay is intended as a series of case studies following the ideas I presented on the “Quixote Sub Specie Continue reading →

The Hypocrisy of American Art Institutions: An Elegant Protest

The recent controversy surrounding this year’s Whitney Biennial and its leading to the removal of tear gas profiteer Warren Kanders Continue reading →

What’s Wrong With Streaming? The Death of Music as Art

The music that we listen to is something that we rightfully see as very important to our sense of self, Continue reading →

[Hegel’s Glas]ses

It is a rare opportunity for a philosopher to have occasion to comment, not upon the written content of a Continue reading →

Love’s Labor: Irigaray, Hegel and Revolution

Luce Irigaray points out in I love to you that Hegel conceives of love as a form of labor. In fact, Continue reading →

Biological Essentialism, State Ideology, and the Need for a Phenomenological Paradigm Shift

In analyzing modern political discourse in the West, identity is increasingly a recurring theme in heated debates surrounding rights frameworks, Continue reading →

The Quixote Sub Specie Aeternitatis: The Philosophical Significance of the Spanish Golden Age

Todo es mentira, ya verás La poesía es la única verdad   Sacar belleza de este caos es virtud – Continue reading →

Apocalypse Now? What to Do When You Don’t Know What to Believe

Many of Stephen Hawking’s final written words presage doom. Clearly no amount of knowledge can resist a looming apocalypse. “We Continue reading →

Hume’s Aesthetics: On the Standard of Taste

There is undoubtedly a variety of opinion in matters of art appreciation – someone may, for example, detest Damien Hirst’s Continue reading →

The Spectacle of the Scaffold – Foucault, Corporal Punishment, and the Digital Age

Witnesses who described the scene could even be prosecuted, thereby ensuring that the execution should cease to be a spectacle Continue reading →

I’m Not Your Mary: The Derridean Différance in Silent Hill 2

Konami’s Silent Hill 2 (2001), a stand-alone title in the Silent Hill series, may be considered one of the seminal Continue reading →

The Web as Rhizome in Deleuze and Guattari

‘A rhizome has no beginning or end; it is always in the middle, between things, interbeing, intermezzo. The tree is filiation, Continue reading →

Transport for London and the Total Advertisement

When TfL announced that Canada Water station was to be dubbed ‘Buxton Water’ for Marathon Day we witnessed one of Continue reading →

Louis Althusser, the Ideological State Apparatus, and Interpellation

Imagine that you’ve magically transformed into a bourgeoisie capitalist. You wake up one morning and…poof: regal cashmere pajamas, silk blankets, Continue reading →

Deleuze V. Dolezal – Yeah, We’re Actually Doing This

Deleuze and Identity Politics Deleuze has been used before to critique identity politics, sometimes this has been done with the Continue reading →

Walter Benjamin and the Aesthetics of Video Games

The great messianic art critic Walter Benjamin saw the role of film in his era of capitalist culture as creating Continue reading →

On Certainty and Mad Max

“At the end of the world,” our eponymous hero growls in the prologue of George Miller’s Mad Max: Fury Road, Continue reading →

Hemingway and Modernity’s Necropolis

The works of Ernest Hemingway have always aimed to elucidate the looming presence of death as it follows his characters Continue reading →

Simulacrum in Literature: Baudrillard and Barthelme

Simulacrum, like many terms surrounding postmodernism, has been defined in a number of ways. Perhaps the simplest definition of the Continue reading →

Stiegler’s Memory, 2: The Industrialisation of Consciousness

Technical and Political Memory As I outlined in Stiegler’s Memory,1: The Problem With Husserl, Bernard Stiegler argues that Husserl’s traditional Continue reading →

Stiegler’s Memory, 1: The Problem With Husserl

The Problem With Husserl To French philosopher Bernard Stiegler, the outer objects that human beings create can be looked at exteriorisations of Continue reading →

Philip K. Dick’s Martian Time-Slip and Pragmatic Knowledge

Philip K. Dick is, without a doubt, one of the most interesting writers of the 20th century. His prose is Continue reading →

Is Postmodernism Self-Defeating?

In academia postmodernism is nearly impossible to avoid. Characters like Foucault, Derrida, Lyotard, Jameson, Baudrillard (and many others of course), Continue reading →

The ‘Champagne Socialist’ Fallacy

‘Champagne socialist,’ ‘limousine liberal’, or my personal favourite ‘bourgeois bohemian’ are equivalent accusations aimed at people who advocate socialist thought, Continue reading →