Futurity Matrix: Four Visions of the Future

In writing a contemporary critique of Sadie Plant and Nick Land’s text ‘Cyberpositive’, Frédéric Neyrat’s recent article for Blue Labyrinths Continue reading →

Decadeology: Hyperpop, Archive Fever, and the Sound of the 2020s

“The future of music may not lie entirely in music itself, but rather in the way it encourages and extends, Continue reading →

The Future of Strangers: On “Cyberpositive” by Nick Land and Sadie Plant

The final sentence of Nick Land and Sadie Plant’s text titled Cyberpositive (1994)—written one year before the CCRU (Cybernetic Culture Research Continue reading →

The Future is Not Lost: On Music, Technology, and the Creation of New Worlds by Matt Bluemink

It’s finally here! The official release date for my new book The Future is Not Lost is 24th of June Continue reading →

Zuboff’s Dystopia: The Politics of the Lifeworld

Intimations of Dystopia The Age of Surveillance Capitalism by Shoshana Zuboff was published in German in 2018. English language editions were Continue reading →

Future Reloaded: An Interview with Matt Bluemink and Alessandro Sbordoni

XX121 is a large language model developed in 2021 by a team of researchers at Miskatonic University led by Julie Continue reading →

TikTok and Taboo: Mysticism in the Information Age

“Animism has endowed things with souls; industrialism turns souls into things.”  — Theodor Adorno and Max Horkheimer, Dialectic of Enlightenment Continue reading →

On Sinofuturism: Cosmotechnics and Dis-orient-ation

In The Question Concerning Technology in China, Yuk Hui claims that sinofuturism as it exists in its current form, i.e. Continue reading →