Ultra-Blackness in Music: A Non-Mixology

By Achim SzepanskiTranslated by Jan Heintz With the modification of a Baudrillard quote regarding the infinitely choosing chooser one could Continue reading →

Terminal Velocity: The Cultural Logic of the Dance Music Edit

The presence of the edit looms large in today’s UK dance music scene. Also called bootlegs, refixes and reworks, edits Continue reading →

Give Up the Future: Organ Tapes and Tiqqun

By Lorenzo CirnigliaroTranslated by Alessandro Sbordoni In a previous article, entitled Born in the Lost Future, I tried to make Continue reading →

Born in the Lost Future: Bladee and Hauntology

By Lorenzo CirnigliaroTranslated by Alessandro Sbordoni Recently my mother told me that going twenty years back in time, she would Continue reading →

The Philosophy of Jungle and New Breakcore Music: From Rufige Kru to Machine Girl

Through that time machine also known as the Internet, the jungle music of Rufige Kru (AKA Goldie), DJ Crystl, and Continue reading →

The End of the Internet: An Interview with Geert Lovink

Geert Lovink is a Dutch media theorist, internet critic, and author of Dark Fiber (2002), My First Recession (2003), Zero Continue reading →

Semiotics of the End: Boredom at the End of the World

Dreams about the end of the world are not, perhaps, anymore the fruits of despair and fear alone. They are Continue reading →

In(ter)vention as Heresy

Is asymmetrical resistance or revolution possible against a figure of dominance who has adopted the logic of asymmetry? This appears Continue reading →