Future Reloaded: An Interview with Matt Bluemink and Alessandro Sbordoni

XX121 is a large language model developed in 2021 by a team of researchers at Miskatonic University led by Julie Continue reading →

Semiotics of the End: The Backrooms

On October 12, 1492, Italian explorer Christopher Columbus landed on the American continent. On July 20, 1969, American astronaut Neil Continue reading →

What Is Solarpunk?

Green capitalism is the hottest new thing. A sunny valley with advanced technology, a robot farmer picking strawberries with grandpa Continue reading →

Weird Fictions & Neoliberal Horrors: The British Urban Imaginary

Every morning, first thing, I flick on my phone for a dose of mass death. War-images and propaganda dance on Continue reading →

Arabic Hauntology: The Sound of Habibi Funk Records

The twenty-third album by Habibi Funk Records was released on the 14th of July 2023. But it may as well Continue reading →

Ultra-Blackness in Music: A Non-Mixology

By Achim SzepanskiTranslated by Jan Heintz With the modification of a Baudrillard quote regarding the infinitely choosing chooser one could Continue reading →

Terminal Velocity: The Cultural Logic of the Dance Music Edit

The presence of the edit looms large in today’s UK dance music scene. Also called bootlegs, refixes and reworks, edits Continue reading →

Give Up the Future: Organ Tapes and Tiqqun

By Lorenzo CirnigliaroTranslated by Alessandro Sbordoni In a previous article, entitled Born in the Lost Future, I tried to make Continue reading →