Decadeology: Hyperpop, Archive Fever, and the Sound of the 2020s

“The future of music may not lie entirely in music itself, but rather in the way it encourages and extends, Continue reading →

Anti-Hauntology: Derrida and Stiegler on Dancing With Ghosts and Education

in a small ghost town, there’s a little arcadewhere the poltergeists play their video games In my previous post I Continue reading →

Anti-Hauntology: SOPHIE, Stiegler and the Ruins of Accelerationism

Since the initial article on SOPHIE last week the idea of anti-hauntology has gained a significant amount traction across various Continue reading →

Anti-Hauntology: Arca, AI, and the Future of Innovation

Mark Fisher and Anti-Hauntology In my previous article I claimed that recently departed artist/producer SOPHIE marked a significant shift in Continue reading →

Anti-Hauntology: Mark Fisher, SOPHIE, and the Music of the Future

This essay serves as the basis for a chapter in The Future is Not Lost: On Music, Technology, and the Continue reading →

The Metamorphosis and The Lobster: 100 Years of Power and Dehumanization

Reviews of Yorgos Lanthimos’s 2015 film The Lobster seem to be about fifty-fifty on whether they use the term Kafka-esque, Continue reading →

[Hegel’s Glas]ses

It is a rare opportunity for a philosopher to have occasion to comment, not upon the written content of a Continue reading →

I’m Not Your Mary: The Derridean Différance in Silent Hill 2

Konami’s Silent Hill 2 (2001), a stand-alone title in the Silent Hill series, may be considered one of the seminal Continue reading →