Decadeology: Hyperpop, Archive Fever, and the Sound of the 2020s

“The future of music may not lie entirely in music itself, but rather in the way it encourages and extends, Continue reading →

The Future is Not Lost: On Music, Technology, and the Creation of New Worlds by Matt Bluemink

It’s finally here! The official release date for my new book The Future is Not Lost is 24th of June Continue reading →

Against Symbolic Misery: On Architecture, Music, and Literature

Bernard Stiegler, in Symbolic Misery, Volume 1: The Hyperindustrial Epoch, argues that the question of culture is at the heart Continue reading →

Future Reloaded: An Interview with Matt Bluemink and Alessandro Sbordoni

XX121 is a large language model developed in 2021 by a team of researchers at Miskatonic University led by Julie Continue reading →

On Sinofuturism: Cosmotechnics and Dis-orient-ation

In The Question Concerning Technology in China, Yuk Hui claims that sinofuturism as it exists in its current form, i.e. Continue reading →

Multiplication of Organs: Desire, Humanity and Technology

The Multiplication of Organs (MoO) [1] is not the Deleuzian Body without Organs (BwO), it is not the Žižekian Organ Continue reading →

The Filmic Non-Place: Notes on Devirtualization in Cinema

In the 2007 book Bioaesthetics philosopher and teacher of Aesthetics Pietro Montani writes about the increasing disempowerment of the external Continue reading →

The End of the Internet: An Interview with Geert Lovink

Geert Lovink is a Dutch media theorist, internet critic, and author of Dark Fiber (2002), My First Recession (2003), Zero Continue reading →