Cinema on Cinema: On Harmony Korine’s Mister Lonely

It is not difficult to grasp why cinematic language requires signs that take into account the relation between representation and Continue reading →

Thief versus Lover: The Banality in Jean Genet’s Significance

A new tome of Jean Genet’s novels and poetry came out in 2021. Historically, most have had two versions: a Continue reading →

Semiotics of the End: Boredom at the End of the World

Dreams about the end of the world are not, perhaps, anymore the fruits of despair and fear alone. They are Continue reading →

The Web as Rhizome in Deleuze and Guattari

‘A rhizome has no beginning or end; it is always in the middle, between things, interbeing, intermezzo. The tree is filiation, Continue reading →