Semiotics of the End: Turbo-Violence

The image cannot present itself without a certain force, without a certain amount of violence. The image must always remove, Continue reading →

Semiotics of the End: Boredom at the End of the World

Dreams about the end of the world are not, perhaps, anymore the fruits of despair and fear alone. They are Continue reading →

Anti-Hauntology: Iglooghost, Mark Fisher, and the New Digital Modernism

In February this year I wrote a 4 part piece on the idea of anti-hauntology. Part 1 looked at the Continue reading →

Popular (Neo-)Modernism: Fisher, Meillassoux and Novelty

In the recent Anti-Hauntology debate Matt Bluemink and Matt Colquhoun discussed ways out of a current mode of culture that Continue reading →

Anti-Hauntology: Derrida and Stiegler on Dancing With Ghosts and Education

in a small ghost town, there’s a little arcadewhere the poltergeists play their video games In my previous post I Continue reading →

Anti-Hauntology: SOPHIE, Stiegler and the Ruins of Accelerationism

Since the initial article on SOPHIE last week the idea of anti-hauntology has gained a significant amount traction across various Continue reading →

Anti-Hauntology: Arca, AI, and the Future of Innovation

Mark Fisher and Anti-Hauntology In my previous article I claimed that recently departed artist/producer SOPHIE marked a significant shift in Continue reading →

Anti-Hauntology: Mark Fisher, SOPHIE, and the Music of the Future

Last week the music community lost one of the most innovative artists and producers of the twenty-first century. Sophie, who Continue reading →