Weird Fictions & Neoliberal Horrors: The British Urban Imaginary
Every morning, first thing, I flick on my phone for a dose of mass death. War-images and propaganda dance on Continue reading
Every morning, first thing, I flick on my phone for a dose of mass death. War-images and propaganda dance on Continue reading
Beyond its blatant depravity, Salò, or the 120 Days of Sodom (1975), feels like a bad omen of contemporary society. Continue reading