Recurring Dreams and Collective Unconscious: An Interview with Alex Zhang Hungtai

In I Had Nowhere to Go, director Jonas Mekas’ diary-like collection of writings covering his life from the abandonment of his Continue reading →

Terminal Velocity: The Cultural Logic of the Dance Music Edit

The presence of the edit looms large in today’s UK dance music scene. Also called bootlegs, refixes and reworks, edits Continue reading →

Semiotics of the End: Welcome to the Virtual Plaza

Like factories, shopping centres today exist only to efface their omnipresence. After “society as a whole takes the appearance of Continue reading →

Anti-Hauntology: Iglooghost, Mark Fisher, and the New Digital Modernism

In February this year I wrote a 4 part piece on the idea of anti-hauntology. Part 1 looked at the Continue reading →

Anti-Hauntology: Arca, AI, and the Future of Innovation

Mark Fisher and Anti-Hauntology In my previous article I claimed that recently departed artist/producer SOPHIE marked a significant shift in Continue reading →

Anti-Hauntology: Mark Fisher, SOPHIE, and the Music of the Future

Last week the music community lost one of the most innovative artists and producers of the twenty-first century. Sophie, who Continue reading →