The Fourth Wall: The Lynchian Aesthetic of I Saw the TV Glow

“We begin in the dark and birth is the death of us.”   — Anne Carson, Antigonick  The fourth wall is, Continue reading →

Empire of Sounds: Reconstructing the Japanese Pop of the 1980s

The anime Megazone 23, directed and written by Ishiguro Noboru and produced in 1985, can be cited as an example Continue reading →

Imane Khelif, Immediate Transcendence, and Fascism

Setting the Stage: Imane Khelif and Fascists The response to Imane Khelif has largely been of a fascist nature. Many Continue reading →

On Sinofuturism: Cosmotechnics and Dis-orient-ation

In The Question Concerning Technology in China, Yuk Hui claims that sinofuturism as it exists in its current form, i.e. Continue reading →

Music or Barbarism: Dos Atomos by Dos Monos

On the 31st of May 2024, Dos Monos, the experimental hip-hop group formed by Zo Zhit, Taitan, and NGS, returns Continue reading →

Multiplication of Organs: Desire, Humanity and Technology

The Multiplication of Organs (MoO) [1] is not the Deleuzian Body without Organs (BwO), it is not the Žižekian Organ Continue reading →

“Why Are You so Bad, Bro?”: Theory of the Avatar

Freedom is an online performance by Eva and Franco Mattes. Its setting is the infamous FPS video game Counter-Strike. Eva, as Continue reading →

Taylor Swift and Totalitarianism

The system is broken. The celebrity is brighter than the sun. Only she can decide when it is day. There’s Continue reading →