Foucault and Digital Discourse

Foucault calls into question the definition of discourse in his famous, methodological work the Archaeology of Knowledge. While it is Continue reading →

Man, the Animal Without Essence, 3: Brains, Hands and Tools

Artifice and art itself – these are the two meanings of the Greek word technē. Technē is, according to French Continue reading →

Stiegler and Derrida: The Technical History of Memory

Stiegler defines what he calls ‘grammatisation’ as the ‘technical history of memory, in which hypomnesic memory continually reintroduces the constitution Continue reading →

Fernando Pessoa and Nietzsche: The Last Man and Happiness

“Zarathustra has changed, Zarathustra has become a child, Zarathustra is an awakened one; what do you now want among the Continue reading →

Man, the Animal Without Essence, 2: Fire and the Cave

Why do humans produce art? What is it that has led us as a species to feel the need to Continue reading →

Man, the Animal Without Essence

In the second half of his most famous work, Technics and Time, 1, ‘Prometheus’s Liver’, Bernard Stiegler analyses the Greek myth Continue reading →

The Importance of the Synthetic A Priori in Kant’s First Critique

For Kant, the analytic/synthetic distinction and the a priori/a posteriori distinction are fundamental building blocks in his philosophy. In this Continue reading →

Proletarianization in E.M. Forster’s The Machine Stops

‘cannot you see […] that it is we that are dying, and that down here the only thing that really Continue reading →