Mad(e) Men: Historicism and History as Told Through Period Drama and TV

In the medium of the movies (what used to be short for moving pictures) there is something called an establishing Continue reading →

Art, Technology and Truth in Martin Heidegger’s Thought

In mythology, autochthones (from Ancient Greek αὐτός “self,” and χθών “soil”; i.e. “people sprung from earth itself”) are those mortals Continue reading →

Nietzsche and Wagner on Tragedy: The Slave and the Nation in Nineteenth-Century Germany

During the nineteenth-century, the German speaking world was going through a period of rapid social and political upheaval. This tumultuous Continue reading →

Transcendental Cinema: When the Camera Turns Upon Itself

This essay is intended as a series of case studies following the ideas I presented on the “Quixote Sub Specie Continue reading →

Homo Sacer: The State of Exception as a Dominant Social Paradigm

Just over a year following the release of the nine volumes of Homo Sacer: Sovereign Power and Bare Life, the Continue reading →

What’s Wrong With Streaming? The Death of Music as Art

The music that we listen to is something that we rightfully see as very important to our sense of self, Continue reading →

[Hegel’s Glas]ses

It is a rare opportunity for a philosopher to have occasion to comment, not upon the written content of a Continue reading →

Love’s Labor: Irigaray, Hegel and Revolution

Luce Irigaray points out in I love to you that Hegel conceives of love as a form of labor. In fact, Continue reading →