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Mad(e) Men: Historicism and History as Told Through Period Drama and TV

In the medium of the movies (what used to be short for moving pictures) there is something called an establishing Continue reading →

Transcendental Cinema: When the Camera Turns Upon Itself

This essay is intended as a series of case studies following the ideas I presented on the “Quixote Sub Specie Continue reading →

On Certainty and Mad Max

“At the end of the world,” our eponymous hero growls in the prologue of George Miller’s Mad Max: Fury Road, Continue reading →

Citizenfour, Snowden, and the Problem of Privacy

In the USA, 1972, the Watergate scandal shook the foundations of the American political institution in what has been described Continue reading →

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