Semiotics of the End: Boredom at the End of the World

Dreams about the end of the world are not, perhaps, anymore the fruits of despair and fear alone. They are Continue reading →

Jonas Mekas’s Cinematic You

This was where the wind blew meI saw youI recorded youI’m not sure I ever understood youI’m just a passerbyFrom Continue reading →

Anti-Hauntology: Iglooghost, Mark Fisher, and the New Digital Modernism

In February this year I wrote a 4 part piece on the idea of anti-hauntology. Part 1 looked at the Continue reading →

Eternal Action: Christopher Nolan’s Objects of Anti-Accelerationism

In Tenet time is stalled for forever plunder. As a child, I never liked riding on tilt-a-whirls or other spinning Continue reading →

Anti-Hauntology: SOPHIE, Stiegler and the Ruins of Accelerationism

Since the initial article on SOPHIE last week the idea of anti-hauntology has gained a significant amount traction across various Continue reading →

Anti-Hauntology: Arca, AI, and the Future of Innovation

Mark Fisher and Anti-Hauntology In my previous article I claimed that recently departed artist/producer SOPHIE marked a significant shift in Continue reading →

Anti-Hauntology: Mark Fisher, SOPHIE, and the Music of the Future

Last week the music community lost one of the most innovative artists and producers of the twenty-first century. Sophie, who Continue reading →

The Metamorphosis and The Lobster: 100 Years of Power and Dehumanization

Reviews of Yorgos Lanthimos’s 2015 film The Lobster seem to be about fifty-fifty on whether they use the term Kafka-esque, Continue reading →