Semiotics of the End: Turbo-Violence

The image cannot present itself without a certain force, without a certain amount of violence. The image must always remove, Continue reading →

Semiotics of the End: Boredom at the End of the World

Dreams about the end of the world are not, perhaps, anymore the fruits of despair and fear alone. They are Continue reading →

Jonas Mekas’s Cinematic You

This was where the wind blew meI saw youI recorded youI’m not sure I ever understood youI’m just a passerbyFrom Continue reading →

Anti-Hauntology: Iglooghost, Mark Fisher, and the New Digital Modernism

In February this year I wrote a 4 part piece on the idea of anti-hauntology. Part 1 looked at the Continue reading →

Eternal Action: Christopher Nolan’s Objects of Anti-Accelerationism

In Tenet time is stalled for forever plunder. As a child, I never liked riding on tilt-a-whirls or other spinning Continue reading →

Anti-Hauntology: SOPHIE, Stiegler and the Ruins of Accelerationism

Since the initial article on SOPHIE last week the idea of anti-hauntology has gained a significant amount traction across various Continue reading →

Anti-Hauntology: Arca, AI, and the Future of Innovation

Mark Fisher and Anti-Hauntology In my previous article I claimed that recently departed artist/producer SOPHIE marked a significant shift in Continue reading →

Anti-Hauntology: Mark Fisher, SOPHIE, and the Music of the Future

This essay serves as the basis for a chapter in The Future is Not Lost: On Music, Technology, and the Continue reading →